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Keb Darge plus special guests at Madame Jo Jo's, Brewer Street, London. 10pm till 3am. £8 entry.
Keep you ears to the ground for the monthlyish soul specials with the world's #1 soul DJ, Butch.

Snowboy will be guest DJ on January 21st and Ian Wright will be unleashing his rarities January 28th.


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>
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When I found out that Timothy McNealy was alive and well I snaped at the chance to ask, the up till now mystery man behind two of the toughest 45s around, about the story behind Funky Movement and Sagittarius Black, as well as his life and times on the club scene in Texas back in the days that these records were being recorded.

>Trouble: How old were you when you recorded Funky Movement and Sagittarius Black?

>McNealy: aprox. 22 - 23

>Trouble: Apart from the production, what part did you play in the band and who are the other members of the band, and how did you all get together?

>McNealy: I played Fender Rhodes/vocal. It has been so long I do hope I can remember the guys. Most of the fellows went by their nick names. Fred Alexander & Will Bill were the drummers, Jonny Ray played Congas, Larry T. Bird Gordon - Sax, Larry? -Sax. Van Vanbolden -Baritone Sax, Sam Whitica -Guitar, Lester Allen -Flute, Thurman -Congas Andrew Jones - Guitar, Jonny Crollins - Drums. I am sure I am missing someone. Most of the guys were students a Bishop College. Some were former members of the Mustangs with Bobby Patterson.

>Trouble: When you went into the studio to record Funky Movement and Sagittarius Black how long did it take you to put such master pieces together?

>McNealy: aprox. 8 hours each

>Trouble: Had you worked on them previously before, perhaps at live shows?

>McNealy: We practiced three or four days, and yes we played the bout of them nightly with great responce. > >

>Trouble: From what I understand Sagittarius Black and Funky Movement were recorded in Texas, could you tell us a little bit about the studio you used.

>McNealy: Dallas, Downtown (Sellers Recording Studio (8 tracks or less with little seperation). It went out of business long ago and the owners name was Jack Sellers.

>Trouble: Were Funky Movement and Sagittarius Black recorded in the same place?

>McNealy. No, Funky Movement was recorded later at Sumit Sound Recording also in Dallas


>Trouble: In general, what is the story behind both of the records? eg, How did you come up with, and write such awesome songs that sound as fresh today as i am sure they sounded back then?

>McNealy: I wanted to record and I wanted to do what I had in my heart. I am between Scorpio and Sagittarus. Funk was the thing, so I was really trying to fit in.

>Trouble: When you put Sagittarius Black and Funky Movement together what did you hope to achieve from them?

>McNealy: Stardome and to better myself financially.

>rouble: Did you expect them to sell, or were they for demo purposes?

>McNealy: They were all for sale.

>Trouble: And how much influence did distribution companies like H&W Record Shops have in the success or failure commercially of a record like Funky Movement.

>McNealy: For groups like myself H&W owned by Walter Jackson was one of the few places that would help. Walter was and is a personal friend with connection to radio stations and would use his influence to get your records played.

>Trouble: In what kind of places did you ever hear your Sagittarius Black or Funky Movement played.

>McNealy: It was played on the radio in the regular play list.

>Trouble: And a more general question, what was the 'scene' like back then?

>McNealy: Exciting and no money.

>Trouble: Could you tell us a little bit about any of the times that you perhaps performed Funky Movement and Sagittarius Black live in a club, and what were the clubs like that you played in? ie the kinds of people that were in them, was there a lot of dancing, how many people, all that kind of thing?

>McNealy: yes, aprox. 200 people, mixed audience, and yes we played the both of them regulary

>Trouble: when Funky Movement and Sagittarius Black were recorded. what kind of records were played in the clubs, was it all funk, or more of a mix of styles?

>McNealy: Mixed such as Jerry Butler, Al Green, Ojays, and a lots of instrumentals and more

>Trouble: And how much impact did local groups have in the clubs, or was it all 'big' names like JB, Meters or Eddie Bo?

>McNealy: No the small bands had great fans and good music, as a matter of fact the local bands had it going on.

>Trouble: Can you remember any other tracks that you recorded around that time, perhaps along a similar vein to Funky Movement and Sagittarius Black, that have not been rediscovered?

>McNealy: K. C. Stomp, whats going on, I'm glad you're mine

>Trouble: do you have any vivid memories or feelngs conected to Funky Movement and Sagittarius Black that manefest when you listen to the records again?

>McNealy: Yes too many people made money, I made none

>Trouble: Did you ever cross paths with any of the other Texas based bands like Mickey and the Soul Generation?

>McNealy: yes but its been a long time and I have forgotten so much

>Trouble: What do you feel about your records being reissued either on a compilation or a 7 inch single?

>McNealy: No problem if I were making money from the reissue but as to date, I have not ever made a dime from any of my records and that does not feel good.

>Trouble: At the moment what are you doing in terms of music production?

>McNealy: I have my own studio and have completed two CD Master ready for the market hoping to find someone honest that will sign me and pack fair.

A huge thanks going out to Timothy McNealy for sparing his valuable time to give us this interview.

Radio Service
Radio Service

>December 2004 Last show for a while, as we've left the studio and need to find a new location to broadcast from.

>
All the recent funk finds, deepfunk classics and soul rarities. The sounds that matter, no shite.

> We are now useing Windows Media Player for our show. If you are useing an Apple Mac you can download the Mac player here.

>If you can not fast forward the show (not that you should want to!!!) and are using the embedded player in windows explorer you may need to use the drop down menu in the embedded player and click 'play in default player'.

> Playlists.

>Motherfunk.

Every Tuesday @ The Honeycomb, Niddry Street, Edinburgh. 11pm till 3am FREE entry. Fryer, Gino and regular guests including James Trouble and Ian Wright.

 

 

 

This site is run by James Trouble. None of the sound records used on this site have been cleared for use by any authorities. However, this site is a non profit making organisation, in fact we lose money! If you own the rights to any of the records or were involved in making any of the records used, please feel free to contact us, we would be very pleased to hear from you. jamestrouble@hotmail.com