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>Deepfunk every Friday

Keb Darge plus special guests at Madame Jo Jo's, Brewer Street, London. 10pm till 3am. £8 entry.
Keep you ears to the ground for the monthlyish soul specials with the world's #1 soul DJ, Butch.

Snowboy will be guest DJ on January 21st and Ian Wright will be unleashing his rarities January 28th.


>Links

>Breakin Bread
>Daptone Records
>Diggin Deep Quartet
>Funk45
>Get Jazzed
>Jazzman Records
>Motherfunk

>Oslo Soul

>SOS Tokyo
>Soul45.org
>
Soulgeneration
>Soulcast
>Soulclub
>Soul Cellar
>Soul-Source
>Youknowyougotsoul
>Vegas Shuffle
>6Ts Soul Club


D'Lambert

>When did you start dancing to funk?

>Started dancing to funk on a regular basis when I started coming to Jojo's 97/98 when the night was on a Sunday. Before that it would have been at weddings, christenings some sort African/Ghanaian social event where people including the over 67s get down. But I sure as hell wouldn't have been doing handsprings back then!

> How would you describe you dance style, and do you have any favourate
moves?

>My style of dance comes from every music style and physical movment i've been influenced by. It began with pop - Michael Jackson, then MC Hammer in terms of looking for specific moves and then also during the time of credible Hip-Hop when people use to drop seriously fast tunes i.e. Silver Bullet '20 Seconds To Comply'. New Jack Swing had a part to. Rave music before it fragmented into techno, drum & Base, breakbeats, Broken Beats et al was excellent for dancing at speed but it took a very very long time for me to accept it as my Hip-Hop buddies were converting ( you can like more than one form of music people). House and Garage and I mean several different types of the stuff brought in a bubbling feminine style of movement, that allowed you to use ragga/dancehall styles to. Eventually I came to Jazz and Funk in a more detailed way through exploring my dads records, some of which I must of heard as a kid but hated! Martial arts have played a role Karate, TaeKwondo style, Capoeira, Escrima, Ninjutsu, Pencak Silat have all come into my style, which is a style of no form -except for the shuffle which in itself has no specific steps. Lately Break'in and tap has come much to my attention as also the way your style changes due to wearing trainers or shoes. Shoes: Jazz-funk Trainers better for for a chameleon approach Breakbeats, Broken beats, Nu House.

> What would you like to see/hear more of at Deepfunk nights, and what would
you like to see less of?

I want to see more of an effort to target the appropriate audience for the night, not drunken buffoons, students who heard that this was a trendy night to be seen in, or 'I just finished work this is my nearest form of entertainment crew' let me go and stand in someones dance space/face. Saturday night has people deliberately coming in for the clubbing event (Groove Sanctuary) and not to piss people of.

>What are your favourate Deepfunk tracks at the moment?

Fav deep funk track - too many tunes to pick one, though many are starting to wear thin...

>Where can you see the scene going in the next few years?

The night will stay the same as it is forever if the dancers are excluded, they simply won't come and the night will become closer to a bar style forum with a little space to dance.

>Do you have anything else to add?

One last thing on circles: Deep Funk started on a Sunday, not many people knew about it, dancers mainly came with the exception of sunday tourists looking for a late night drinking place and had a good time. The dancing and dancers brought the profile of the club up, getting it more of a prime time slot -Fridays. This was alright, a few more people in the club added to the atmosphere and also more women started finally coming nudge nudge wink wink. Then through the spectacle of the dancing the media got hold of the night and before you knew it were in the Guardian -The beginning of the end. Now its the place to be seen even pre - wedding parties even come along and celebrate there. From a business point of view; fair play, from an entertainment point of view; lovely for the civillians, from a dancers point of view it becomes a mission to get floor space, then if you do, the lack of social ettiquette by the civillians is astounding, its probably the single place where I threaten complete strangers the most!

Now if the dancers go, the spectacle goes with it, the club night will survive without us, but there is a chance that it will decline in numbers. Civillians treat deep funk as a specialist night, something you would go to once in a while, similar to car wash. As for repeat visits I havn't conducted a survey but there arn't that many in a regular capacity -except for the... dancers.

Peace and I mean it!

Radio Service
Radio Service

>December 2004 Last show for a while, as we've left the studio and need to find a new location to broadcast from.

>
All the recent funk finds, deepfunk classics and soul rarities. The sounds that matter, no shite.

> We are now useing Windows Media Player for our show. If you are useing an Apple Mac you can download the Mac player here.

>If you can not fast forward the show (not that you should want to!!!) and are using the embedded player in windows explorer you may need to use the drop down menu in the embedded player and click 'play in default player'.

> Playlists.

>Motherfunk.

Every Tuesday @ The Honeycomb, Niddry Street, Edinburgh. 11pm till 3am FREE entry. Fryer, Gino and regular guests including James Trouble and Ian Wright.

 

 

 

This site is run by James Trouble. None of the sound records used on this site have been cleared for use by any authorities. However, this site is a non profit making organisation, in fact we lose money! If you own the rights to any of the records or were involved in making any of the records used, please feel free to contact us, we would be very pleased to hear from you. jamestrouble@hotmail.com